Posted on June 20, 2014
From the catalogue:
Adam Dix's neo-futurist paintings speak of a time of historical optimism, when absolute faith was put into new communication devices; embraced as powerful spiritual icons for the modern age, which deserved to be worshipped and revered. The collective awe and wonder is palpable; any sense of individuality is forgotten in the group dynamic. Using a muted palette and strong, dramatic lighting, Dix's fictive landscapes seem to be taken from a post-apocalyptic world. Satellite discs take on the role of haloes or crop circles and phone masts totems or flags; lead characters are disguised by wearing Shaman-like masks and costumes. The merging of folklore, local religion and science fiction throw us into an uncertain future.
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Charlie Smith London
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