Dix’ palette of muted colours, hazy imagery and subject, anchor the work in a time of historical optimism. Referring to the imagined futures of our predecessors his deployment of colour links the subject of contemporary technology to its 1950s origins. This has led to the production of work that invites the viewer to engage in a secular celebration, whilst questioning past and present forms of ‘social networking’ within community and the common ground that may exist between them and their effect on society. 

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